Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion for fear is a performative solo, mixing digital worlds, archives and interactivity, around the conspiracy fictions emanating from social networks, their political component...
Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion for fear is a performative solo, mixing digital worlds, archives and interactivity, around the conspiracy fictions emanating from social networks, their political component...
Festival Rencontres Chorégraphiques Internationales de Seine-Saint-Denis
Les Laboratoires d’Aubervilliers - 41 Rue Lécuyer, 93300 Aubervilliers - France
Matamatá and Life is not useful (or it what it is) form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and visual...
Festival Latitudes Contemporaines
Médiathèque Jean-Levy - 32-34 Rue Edouard Delesalle, 59000 Lille - France
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Almost Summer | Feminist futures festival
BUDA - Kapucijnenstraat 10, 8500 Kortrijk - Belgique
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Almost Summer | Feminist futures festival
BUDA - Kapucijnenstraat 10, 8500 Kortrijk - Belgique
Matamatá and Life is not useful (or it what it is) form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and visual...
"What does your safe place* look like?"
Hello world is an autonomous technological installation in which Maxime Arnould and a drone coexist. Welcome to a programmed world that responds to our emotions. Through this piece, Maxime Arnould confronts his fear of drones and their double identity...
Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...
Our next intervention-performance, dear artists we’ve loved so much, is a dialogue of love and questions between the three of us, members of the 3ème vague collective, and the tutelary figures who have marked our careers.
After several years of creating different formats within 3ème vague, we’d...
[fr]
Depuis plusieurs années, le Club Travail explore le chant comme possible catharsis du travail moderne. Pour se faire, le Club improvise des chants à partir de conversations entre travailleur-ses-, se permettant ainsi de sublimer ce qui se dit, l’air de rien, en entonnant des comptes-rendus...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the participants...
[fr]
Depuis plusieurs années, le Club Travail explore le chant comme possible catharsis du travail moderne. Pour se faire, le Club improvise des chants à partir de conversations entre travailleur-ses-, se permettant ainsi de sublimer ce qui se dit, l’air de rien, en entonnant des comptes-rendus...
In the midst of fermenting...
This ongoing research was born in a rural and militant environment with reflections on habitat, gardening, fermentation, collective self-sufficiency, the local...
This enquiry, and the slow and careful observation of other living beings, was accompanied by a dive...
First there are memories of a dance never seen before, not even on video. These are the photographic traces and archival texts of Jean Weidt, a dancer and gardener of the 1920s. The dance seems driven by the concrete and efficient gestures of gardening and puts the action of dancing and the...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean