Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion for fear is a performative solo, mixing digital worlds, archives and interactivity, around the conspiracy fictions emanating from social networks, their political component...

Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...

L’office is a short film/performance in black and blue with passages in colour.
Its synopsis: What dream am I still dreaming?
Performative screening with Sophie Sénécaut, Sarah Ludi and Yoann Misi Bondo.
Sarah Ludi is a dancer. Her encounter with the Alexander Technique has enabled her to...

Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion for fear is a performative solo, mixing digital worlds, archives and interactivity, around the conspiracy fictions emanating from social networks, their political component...

[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...

Having turned the question of restorative and regenerative spaces into an artistic project, Sophie Sénécaut invites the Girl Zone, Higlhlights and inBEATween collectives to share their practices, thoughts and perspectives. The discussion will be followed by two Krump masterclasses and a Come and...

Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...

Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...

[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...

"What does your safe place* look like?"
Hello world is an autonomous technological installation in which Maxime Arnould and a drone coexist. Welcome to a programmed world that responds to our emotions. Through this piece, Maxime Arnould confronts his fear of drones and their double identity...

Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...

[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...

Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...

Our next intervention-performance, dear artists we’ve loved so much, is a dialogue of love and questions between the three of us, members of the 3ème vague collective, and the tutelary figures who have marked our careers.
After several years of creating different formats within 3ème vague, we’d...

Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...

Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...