Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...
Les Laboratoires d’Aubervilliers
41, rue Lécuyer, 93300 Aubervilliers - France
L’office is a short film/performance in black and blue with passages in colour.
Its synopsis: What dream am I still dreaming?
Performative screening with Sophie Sénécaut, Sarah Ludi and Yoann Misi Bondo.
Sarah Ludi is a dancer. Her encounter with the Alexander Technique has enabled her to...
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion for fear is a performative solo, mixing digital worlds, archives and interactivity, around the conspiracy fictions emanating from social networks, their political component...
Festival Rencontres Chorégraphiques Internationales de Seine-Saint-Denis
Les Laboratoires d’Aubervilliers - 41 Rue Lécuyer, 93300 Aubervilliers - France
[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...
Les Laboratoires d’Aubervilliers
41, rue Lécuyer, 93300 Aubervilliers - France
Having turned the question of restorative and regenerative spaces into an artistic project, Sophie Sénécaut invites the Girl Zone, Higlhlights and inBEATween collectives to share their practices, thoughts and perspectives. The discussion will be followed by two Krump masterclasses and a Come and...
Festival Latitudes Contemporaines
Médiathèque Jean-Levy - 32-34 Rue Edouard Delesalle, 59000 Lille - France
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Almost Summer | Feminist futures festival
BUDA - Kapucijnenstraat 10, 8500 Kortrijk - Belgique
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Almost Summer | Feminist futures festival
BUDA - Kapucijnenstraat 10, 8500 Kortrijk - Belgique
[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...
"What does your safe place* look like?"
Hello world is an autonomous technological installation in which Maxime Arnould and a drone coexist. Welcome to a programmed world that responds to our emotions. Through this piece, Maxime Arnould confronts his fear of drones and their double identity...
Halles de Schaerbeek
rue Royale Sainte-Marie 22a, 1030 Schaerbeek - Belgique
Ptéro is a large-scale puppet-sculpture. When it opens its wings, they spread over 5 metres. It is made of parchment leather, a moulding technique that uses cow skin. Ptéro doesn’t like the rain and will have to find shelter in case of rain. Vincent Glowinski will accompany his creation for the...
Santarcangelo Festival
Via Costantino Ruggeri 34, 47822 Santarcangelo di Romagna - Italia
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Santarcangelo Festival
Via Costantino Ruggeri 34, 47822 Santarcangelo di Romagna - Italia
[fr]
Matamatá et La vie n’est pas utile (ou c’est comme ça) forment un diptyque. Ce diptyque est la production de deux œuvres chorégraphiques qui se complètent et se complexifient, comme deux images photographiques mises l’une à côté de l’autre. Diptyque est un projet composé d’une pièce...
Our next intervention-performance, dear artists we’ve loved so much, is a dialogue of love and questions between the three of us, members of the 3ème vague collective, and the tutelary figures who have marked our careers.
After several years of creating different formats within 3ème vague, we’d...
Théâtre l’Aire Libre
2 Rue Jules Vallès, 35136 Saint-Jacques-de-la-Lande - France
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
Le Triangle
Bd de Yougoslavie, 35000 Rennes - France
Life is not useful (or it is what it is) and Matamatá form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and...
“VIEIL” (“OLD”) is a solo performance. The environment is all white, there is a faint harmonium music. The actor draws with charcoal the story he’s telling us. It is the story of an old giant, an old continent that carries his axe on his shoulder. An old continent, it is a bit like an old giant:...
The story is set in a single location: a nice lake in the mountains surrounding Grenoble. Jean-jean, situationist artists, is at the lake with his robot Pedro, a sort of headless horse that carries the artist’s bag and makes conversation. Jean-jean is hoping that audience members will join them...
Mostly he uses walls in the city as a canvas at unguarded moments, but this time, he invades the theatrical space for a performance. He performs a series of meticulous and repetitive gestures that are recorded, multiplied and projected life-size by a suspended camera. The body, lit like a photo...
Since 2008, street artist Vincent Glowinski (aka Bonom) has been collaborating with video-maker Jean-François Roversi on a performative transposition of his urban frescoes. In half-light, a dancer-illustrator moves around a large dark surface. He’s completely covered in white, and dimly lit with...
Mythologies is a month-long project involving monumental urban interventions. In 2017, in Rennes, the through lines of the project – as subtly announced by Les Tombées de la Nuit festival – has been Human Anatomy, ancient mythologies, and their representation in classic paintings. In August...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean