Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
An audiovisual encounter between ambient composer Natasha Pirard and street artist & ‘image creator’ Vincent Glowinski (a.k.a. Bonom). In an improvisational performance, they take you on an electrifying journey of composition, movement, light and contrast. This poetic Blind date is the result...
Les Brigittines, Objectif Danse
Pt Rue des Brigittines 1, 1000 Bruxelles
Solo: Life is not useful (or it is what it is) (Création - November 2023) In the search for philosophical and choreographic insight around the marvellous, Bruno Freire came across Ailton Krenak, one of the most important political voices of contemporary Brazil, a recent member of the Brazilian...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Martine, a farmer for fifty years, works hard with no leisure and no rest. One day, while driving her tractor, she hears a philosophy programme on the radio that will have a profound effect on her. This is the beginning of a journey of emancipation that, thanks to reading, will lead her to change...
“VIEIL” (“OLD”) is a solo performance. The environment is all white, there is a faint harmonium music. The actor draws with charcoal the story he’s telling us. It is the story of an old giant, an old continent that carries his axe on his shoulder. An old continent, it is a bit like an old giant:...
“Cratère n°6899” is approx. 30 min long. A comet crashed on Planet Earth; it formed a crater and a number of transformations follow. The landscape changes constantly as the performance unravels. “Cratère n°6899” is the first step of the “A.G.U.A.” project.
Concept and direction: Gwendoline...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean