Teatr Dramatyczny - Warsaw Theater Meeting Festival
pl. Defilad 1, 00-901 Warszawa, Pologne
Life is not useful (or it is what it is) - Creation November 2023
A sensitive and powerful dance through the words of Ailton Krenak to imagine another way of inhabiting the world and to be dazzled by being alive.
Life is not useful (or it is what it is) is a danced lecture, springing from...
Vincent Glowinski accompanies the Resonant Trees compositions by Léo Dupleix through drawing. This series of compositions for harpsichord, performed here on a spinet — a small triangular harpsichord — unfolds through haunting melodies embodied within a rich and spellbinding harmonic world, at...
Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Chaussée Saint-Pierre 210 Sint-Pieterssteenweg 1040 Brussels Belgium
Passion for fear is a work in progress, conceived as the second part of a diptych following on from Hello world.
Passion 4 fear is a performative solo work, both on stage and online, exploring conspiracy narratives and their existence as a consequence of a politics structured around fear....
Life is not useful (or it is what it is) - Creation November 2023
A sensitive and powerful dance through the words of Ailton Krenak to imagine another way of inhabiting the world and to be dazzled by being alive.
Life is not useful (or it is what it is) is a danced lecture, springing from...
Life is not useful (or it is what it is) - Creation November 2023
A sensitive and powerful dance through the words of Ailton Krenak to imagine another way of inhabiting the world and to be dazzled by being alive.
Life is not useful (or it is what it is) is a danced lecture, springing from...
Life is not useful (or it is what it is) - Creation November 2023
A sensitive and powerful dance through the words of Ailton Krenak to imagine another way of inhabiting the world and to be dazzled by being alive.
Life is not useful (or it is what it is) is a danced lecture, springing from...
Life is not useful (or it is what it is) - Creation November 2023
A sensitive and powerful dance through the words of Ailton Krenak to imagine another way of inhabiting the world and to be dazzled by being alive.
Life is not useful (or it is what it is) is a danced lecture, springing from...
Pt Rue des Brigittines 1, 1000 Bruxelles
Alé di yo, nou la nou poko mo (go tell them that we are here, we are not dead yet) is a solo piece drawn from a narrative. Magdelaine Hodebourg develops in it her universe tinged with her research around science fiction and her reflections on technology, AI, politics… Expanding on the world...
Pt Rue des Brigittines 1, 1000 Bruxelles
Alé di yo, nou la nou poko mo (go tell them that we are here, we are not dead yet) is a solo piece drawn from a narrative. Magdelaine Hodebourg develops in it her universe tinged with her research around science fiction and her reflections on technology, AI, politics… Expanding on the world...
Pt Rue des Brigittines 1, 1000 Bruxelles
Alé di yo, nou la nou poko mo (go tell them that we are here, we are not dead yet) is a solo piece drawn from a narrative. Magdelaine Hodebourg develops in it her universe tinged with her research around science fiction and her reflections on technology, AI, politics… Expanding on the world...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Mostly he uses walls in the city as a canvas at unguarded moments, but this time, he invades the theatrical space for a performance. He performs a series of meticulous and repetitive gestures that are recorded, multiplied and projected life-size by a suspended camera. The body, lit like a photo...
Mostly he uses walls in the city as a canvas at unguarded moments, but this time, he invades the theatrical space for a performance. He performs a series of meticulous and repetitive gestures that are recorded, multiplied and projected life-size by a suspended camera. The body, lit like a photo...
Méduses is the reflection of an ageing and fighting body. That body is in the dark and its only memory is his own picture. That body moves constantly to exist, but his movements also create haunting creatures, animal forces. On the screen, there are flashes of mental projections, the reflexion of...
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