Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
An audiovisual encounter between ambient composer Natasha Pirard and street artist & ‘image creator’ Vincent Glowinski (a.k.a. Bonom). In an improvisational performance, they take you on an electrifying journey of composition, movement, light and contrast. This poetic Blind date is the result...
Les Brigittines, Objectif Danse
Pt Rue des Brigittines 1, 1000 Bruxelles
Solo: Life is not useful (or it is what it is) (Création - November 2023) In the search for philosophical and choreographic insight around the marvellous, Bruno Freire came across Ailton Krenak, one of the most important political voices of contemporary Brazil, a recent member of the Brazilian...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
"What does your safe place* look like?"
Hello world is an autonomous technological installation in which Maxime Arnould and a drone coexist. Welcome to a programmed world that responds to our emotions. Through this piece, Maxime Arnould confronts his fear of drones and their double identity...
Straddling the line between a collective intelligence game and a divinatory tarot, the first version of the tarot du travail, created by Lucie Caouder and Mathilde Maillard, was published in 100 copies. To find out about the next edition :
If you would like to organise a presentation of the...
[fr]
Depuis plusieurs années, le Club Travail explore le chant comme possible catharsis du travail moderne. Pour se faire, le Club improvise des chants à partir de conversations entre travailleur-ses-, se permettant ainsi de sublimer ce qui se dit, l’air de rien, en entonnant des comptes-rendus...
WE.LO(U)VE.RADIO is a series of nightly, on site and live radio performances proposed by Aurélie Louve and Jeanne Louve.
WE.LO(U)VE.RADIO also represents a collective and feminine love letter to the radiophonic medium and what it means to us : mostly, a gathering and a moment of listening,...
Matamatá and Life is not useful (or it what it is) form a diptych. This diptych is the production of two choreographic works that complement and complexify each other, like two photographic images placed side by side. Diptych is a project at the crossroads of theatre, dance, literature and visual...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean