Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
An audiovisual encounter between ambient composer Natasha Pirard and street artist & ‘image creator’ Vincent Glowinski (a.k.a. Bonom). In an improvisational performance, they take you on an electrifying journey of composition, movement, light and contrast. This poetic Blind date is the result...
Les Brigittines, Objectif Danse
Pt Rue des Brigittines 1, 1000 Bruxelles
Solo: Life is not useful (or it is what it is) (Création - November 2023) In the search for philosophical and choreographic insight around the marvellous, Bruno Freire came across Ailton Krenak, one of the most important political voices of contemporary Brazil, a recent member of the Brazilian...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
While on a biology mission on the icy shores of the Antarctic, three young scientists, Céline, Pierrick and Jean, decide to change the site of their research. Instead of staying along the littoral where their camp was supposed to be, they venture illegally inland where they find a frozen lake...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
Created as part of the ACSR’s Empreinte grant - 2018
When listening is an attempt, hearing is an event. If sound is a subtle form of touch, what about radio? On écoute la radio et parfois on l’entend is an exercise in style, a little game of nested listening that tries to capture that moment...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
With only a few tools – a table, a desk light, a camera, paper and china ink – Vincent Glowinski tells us a story to the subtle, narrative and sophisticated sound of Teun Verbruggen drums. As the piece begins, the illustrator dances. It’s not only his brush that moved, his body is also in...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean