This project came from the desire to explore body techniques that are acquired through illegal practices rather than through a profession or training – and are therefore not valued. I thought of anarchist acts. I heard testimonies of women bank robbers, surprised that by the sheer repetition of...
“The whole school of Salerno wrote for the English king: If you want to be healthy, if you want to remain sound, Take away your heavy cares, and refrain from anger, Be sparing of undiluted wine, eat little, get up After eating fine food, avoid afternoon naps, Do not retain your urine nor...
First there are memories of a dance never seen before, not even on video. These are the photographic traces and archival texts of Jean Weidt, a dancer and gardener of the 1920s. The dance seems driven by the concrete and efficient gestures of gardening and puts the action of dancing and the...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the...
De près on ne voit que la peinture (From up close, you can only see the paint) is a discussion on our relationship with work. In each show, Maillard invites workers from different backgrounds and discuss with them in how they experience their work, from a personal but also pragmatic point of...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the...
De près on ne voit que la peinture (From up close, you can only see the paint) is a discussion on our relationship with work. In each show, Maillard invites workers from different backgrounds and discuss with them in how they experience their work, from a personal but also pragmatic point of...
This project came from the desire to explore body techniques that are acquired through illegal practices rather than through a profession or training – and are therefore not valued. I thought of anarchist acts. I heard testimonies of women bank robbers, surprised that by the sheer repetition of...
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