Pteudon is the name given to a sculpture I made in 2016. I made this work for the Mater Museum exhibition, where I mixed my mother’s sculptures with my own. The Pteudon, which had no name at the time, was a key figure in the exhibition. Its pointed beak is like an arrow that crosses generations....
An audiovisual encounter between ambient composer Natasha Pirard and street artist & ‘image creator’ Vincent Glowinski (a.k.a. Bonom). In an improvisational performance, they take you on an electrifying journey of composition, movement, light and contrast. This poetic Blind date is the result...
Les Brigittines, Objectif Danse
Pt Rue des Brigittines 1, 1000 Bruxelles
Solo: Life is not useful (or it is what it is) (Création - November 2023) In the search for philosophical and choreographic insight around the marvellous, Bruno Freire came across Ailton Krenak, one of the most important political voices of contemporary Brazil, a recent member of the Brazilian...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Iter is a transdisciplinary exploration weaving together dance, science fiction, storytelling, and Afrofuturist aesthetics to question our humanity and our possible futures. At the crossroads of technology and tradition, this performance immerses the audience in a dystopian universe where a...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
Rue Notre-Dame-du-Sommeil 81, 1000 Bruxelles
Sharing the Void. Letting it resonate, amplify, and fill with echoes and traces; putting it into resonance, articulating its frequencies. Between Sophia Dinkel and Marie Goudot – two dancers with different experiences and paths – a personal language has emerged: a way of relating – to each other...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For two decades, Vincent Glowinski has made Brussels the playground for a prolific street art practice—his works have become part of the city’s collective imagination. While he has never stopped painting, the artist has continuously sought to transcend his practice, notably through live...
For Les Printemps de Sévelin, the collective Coupé Décalé is invited to resonate with Lost Movements, the new performance from Marc Vanrunxt and Jan Martens. The collective will propose a selection of videos and films around the work of both choreographers. Screening 40 min approx. From 21h30...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the participants...
Through a sound and performative installation, we wish to approach the notion of the body in trance by relying mainly on interviews with practitioners, theorists and artists who have a link with dance and modified states of consciousness. Through the singularity and plurality of the participants...
In Vacances vacance, Ondine pays tribute to all the moments where we are not exactly where we should be, because we are late, elsewhere, on vacation or aside of our body. It’s an observation of what is not here, now, but that may have been earlier or somewhere else. The piece goes back and forth...
First there are memories of a dance never seen before, not even on video. These are the photographic traces and archival texts of Jean Weidt, a dancer and gardener of the 1920s. The dance seems driven by the concrete and efficient gestures of gardening and puts the action of dancing and the...
Office: P.A.C.O. (Pôle d’Accompagnement Collaboratif et Ouvert) - 17 rue de Manchester 1080 Molenbeek-Saint-Jean